แสดงบทความที่มีป้ายกำกับ Camera แสดงบทความทั้งหมด
แสดงบทความที่มีป้ายกำกับ Camera แสดงบทความทั้งหมด

วันจันทร์ที่ 16 มกราคม พ.ศ. 2555

choosing the Best Memory Card For Your Digital Camera

Which brand of memory card should I buy? Does it make a difference? How big of a card do I need? Is one large card better than multiple small cards? Does the speed rating of the card matter? This narrative was written to help write back these exact questions.

Cameras and lenses can be positively replaced, especially if they are insured. Those images from the three-week safari, your relatives wedding, or your summer long European tour, naturally can't.

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Memory Card Reliability

The first thing to look at is the memory card itself. Most entry level and amateur level cameras use Sd (Secure Digital) memory cards. Most pro and prosumer cameras use Cf (Compact Flash cards). In general, covenant Flash cards tend to cost more, but offer higher read/write speeds, larger capacities and be less prone to failure than the obtain Digital Cards. This narrative will focus on those two card types.

While there are many manufacturers of memory card out there, the top tier, and the option of the vast majority of pros, are SanDisk and Lexar. These are also the only two brands than Nikon tests with and recommends.

SanDisk claims a Mtbf (Mean Time Before Failure) of over 1,000,000 hours - that's practically 115 years before the mean card fails. Their cards are rated for over 10,000 insertions. A sophisticated flaw and error management principles can rewrite data from a defective sector to a good sector on the fly. SanDisks built in Error Detection Code and Error revision Code to try to recover corrupted data automatically.

The quarterly (blue) SanDisk Cf card has an operating climatic characteristic range from 0°C to 70°C (32°F to 158°F). The ultimate Iii cards are rated with an operating range of -25°C to 85°C (-13°F to 185°F). They can withstand a shock of 2,000G (or about a 10 ft drop onto a concrete floor). Hard-drives can only withstand a 200-300G shock - a drop of less than 2 foot.

SanDisk quote less than 1 non-recoverable error in every 10^14 bits read (or one error for every 12.5 terabytes of data - or one out of every million 12.5Mb Raw files, or one out of every three million Fine Jpegs).

Overall the reliability from their covenant Flash cards is significantly better than even the best hard drives on the store today.

One leading note: there are many fake SanDisk cards in the marketplace. Some of these are economy manufacturers cards with SanDisk stickers and packaging. Some are convention made with no quality operate and put into SanDisk finding boxes. Our best advice, is to only buy from a reputable retailer like Amazon.com or BhphotoVideo.com, and avoid buying memory cards that appear too cheap, are for sale on eBay, or some store stall while traveling etc - stick to reputable sources that are authorized dealers.

However, even with the best cards, errors do still occur. There are many, many millions of these cards in circulation today. Look at any Dslr internet forum, and you'll find reports of lost images. Most of these you'll note are whether with economy cards, potentially fake SanDisk or Lexar cards, or caused by user error. If you remove the card from the camera before the camera has finished writing the data, you'll lose images that the camera hasn't completed writing. It's very easy to accidentally format a card, especially if you use multiple cards. There are reports of confident software applications importing the images from the card, then the user deleting the card, only to find that the application only imported the thumbnail Jpegs that were embedded into the Raw image files, not the actual Raw image files. In virtually all these cases, most of the images are recoverable using data rescue software.

Bottom line, trying to save on a memory card for a camera/lens principles that costs hundred or thousands of dollars makes very little sense. If you stick with the top tier brands, memory cards are very, very reliable, and they are far from the weakest link in the typical users workflow.

Card Sizes: One Large Card vs. multiple Small Cards

How much card space you need depends on what format you shoot (Raw files are significantly larger than Jpeg's), and how many shots you are likely to take between getting to a computer to clear off and backup the cards. If I'm traveling, I've usually got a laptop with me so I can backup my cards every evening. Some days I may only take a dozen shots, but it's also not unknown for me to take several thousand shots in a day if I'm at an event with a lot of action.

On a Nikon D200 containing a blank 8Gb SanDisk card, the camera claims 480 shots are ready for Raw shooting. This estimate is usually conservative, as the size of the Raw file varies. My Nikon D300 usually gets nearby 700 shots on an 8Gb card using Lossless Compressed Nef files. If you switch the D200 to Fine Jpeg, it shows 1,300 shots available. If you adopt Raw plus Fine Jpeg, it shows 354 shots available. Your cameras hand-operated will comprise a table showing similar data for your single model.

There are conflicting opinions as to if one large card is better, or if many smaller cards are. The conference for smaller cards is, that if your card fails or you drop your camera in the ocean, you lose less data. The conference for larger cards, is card failure is very rare, and largely recoverable. You also risk a much higher chance of dropping a card, getting it wet, sitting on it, losing it, accidentally erasing it, forgetting it or leaving it in your hotel room if you are managing multiple cards.

There are other things to think also. Uploading to computer can take a long time - putting in one large card and leaving it to upload is a lot less work than swapping multiple smaller cards and uploading each one manually. A 4Gb size card is ideal if you back up to Dvd - it's the largest card size that will thoroughly fit onto a Dvd, making the back up a straightforward drag and drop.

There is no right or wrong answer, we've standardized on 8Gb covenant Flash cards - generally because they hold a decent estimate of shots and usually offer the best price per gigabyte. I'll carry up to ten of them with me when I'm traveling. As larger cards become more base and prices drop further, we'll go to larger sized cards. The most leading thing is to make sure you have sufficient memory card space to last you until you can upload them to a computer - it's better to have more than you need than not enough.

Card Speed: How Fast Do I Need?

Memory cards come in a wide range of speeds, and the faster the card, the more expensive. How fast of a card you need depends on a estimate of items:

Is how long it takes for the images to upload to a computer leading to you? If you are uploading via cable from your camera, your upload speed is little by the camera. If you are using a Cf of Sd reader, you are little by the speed of that. For the absolute fastest uploads, use a card that supports Udma (like the SanDisk ultimate Iv's, SanDisk Ducati's, and Lexar 300x) in a FireWire reader. For example, the SanDisk Ultra Ii 8Gb card claims a 15 Mb/second read speed, so that would take practically 9 minutes to upload on an optimally configured system. The 8Gb Ducati card claims a 45Mb/second speed, so would take less than three minutes to upload.Which camera do you use? The Nikon D200 does not reserve Udma, so even though an ultimate Iv is faster in it than an ultimate Iii, the card is much slower than it is in the D300 - the D300 can cope a much faster data change rate. How likely are you to fill the camera buffer? If you shoot scenery or take several minutes to manufacture each shot, then you don't need a fast card. If you are shooting non-stop operation and taking sequence after sequence at 8fps, you'll need as fast a card as possible. Cameras like the D200 and D300 have a big sufficient on board buffer to store about 17 shots if you are shooting Raw. Once you've taken a picture, the camera writes it to the memory card and erases it from the buffer as soon as it can. Once the buffer is full, the camera won't let you take someone else photo until it's written an image to the memory card and made room in the buffer. If you are using an Ultra Ii card in a Nikon D300, this means you may only be able to take a shot every 2-3 seconds when the buffer is full. If you are using a Ducati card, you may still be able to carry on a concentrate of frames a second. Then if you stop shooting, the Ultra Ii may take a little or so to get the buffer cleared and all written to the card. The Ducati card will allow the camera to write the images to the card and clear the buffer in seconds.

If you take your time to manufacture each shot, and upload speed isn't leading to you, then memory card speed isn't important. If you are shooting operation or sports and use a rapid frame rate frequently, then you want the fastest card, and camera, that you can afford.

Data rescue whether you've accidentally removed your memory card while the camera was still writing, deleted or formatted the wrong card, or the card has industrialized an error, it's usually possible to retrieve some, if not all of the lost data.

The higher end cards from both SanDisk and Lexar come with their respective data rescue software packages on Cd. SanDisk's is called RescuePro, and Lexar's is called Image Rescue. Both are reputed to be very effective. A third part clarification called PhotoRescue is also widely used and reputedly better than both SanDisk's and Lexar's offerings, fortunately we've not had the need to find out.

In Summary

Your photos are infinitely more leading than your camera gear. By choosing the right memory cards and taking a few straightforward precautions, you can potentially save yourself from losing irreplaceable photographs due to the unforeseen events that hit us all occasionally.

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วันศุกร์ที่ 13 มกราคม พ.ศ. 2555

How to Take Good Creative Photos Using Only a Small Cheap Digital Camera

Beginner or not, it is well possible for a photographer to take photos with a small meg digital camera that are not only creative, but good too. A wide variety of exciting images can be created with just a microscopic imagination and creativity. Potentially good photographers do not need costly equipment to take great pictures!

By using only your imagination and creativity and a small cheap camera, and by reading and using the tips here, dream how proud you'll be when somebody says to you, "That's a fantastic picture! What camera did you use?"

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Ha! You must remember that somebody could have an costly camera, and still take lousy pictures because they don't know too much about photography, haven't bothered to learn or enhance their skills, and are not creative.

They've set up their tripod and have taken a perfectly sharp image with no traces of any blurring in the final photo either it's been printed or is being viewed on a computer screen, but the mixture of the photo is lousy with the horizon in the scene cutting across the exact middle of the picture, or they have located the main branch of the photograph dead in the middle of the photograph's natural frame.

Using the thirds rule will result in an image with a much more exciting composition.

Think of the ocean and a striking sunset. Other than that gorgeous orange glow of the sun in the sky, the sky is otherwise boring, but the ocean has lovely warm reflections on it, filtering towards you on microscopic ripples of swells on the ocean. Now why would you want to put the horizon in the middle of your frame, and hide the extent of the orange glow on the water? Place that horizon line in your frame closer to the top of the frame - a third from the top, or even as close as a quarter from the top. Also, be sure to get it level!

Don't place the sun in the middle of that horizon either. Rather place it off to one side of the middle, but not right up against the edge of the frame either.

You don't have a tripod and are worried about a blurry photograph because of using a slow shutter speed to capture all that glorious light? Rest your elbows on the roof of your car to steady yourself. If no car is nearby, at least relax, take a deep breath, and as you let your breath out, click.

© Teresa Schultz 2009

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วันอาทิตย์ที่ 4 ธันวาคม พ.ศ. 2554

Buy Cheap Vintage Kodak Camera

Collecting Vintage Kodak cameras has become an ongoing hobby for photography enthusiasts. There are so many models to pick from. There are the dissimilar specs and feature to consider.

One has to make sure that the model he chooses can provide him with the service that he needs from the camera.

Cheap Picture Frames

The first Vintage Kodak camera that is a hit to photography enthusiast is the Baby Brownie. It has a solid body eye level roll film and has been in circulation since July 1934. They stopped producing these models in 1941.

These models use a 127 film size. Pictures come up in 1 5/8 X 2.5 denominations. These cameras are still man-made in the States and the United Kingdom.

The Baby Brownie uses rotary shutter. Regularly it can just sell for . The plastic body of the Baby Brownie was designed by Walter Dorwin Teague. It has a folding frame finder.

The export models were man-made from 1936 to 1939. It may have only had a brief exposure but the Baby Brownie was such a hit that to date it is still in demand.

Another Vintage Kodak camera model is the Boy Scout Brownie. Now this is a box rollfilm type and was introduced in October 1932. They stopped producing it later that year as well.

Despite the short circulation stint, the Boy Scout Brownie is currently in interrogate by the modern day Vintage Kodak camera enthusiasts.

The Boy Scout Brownie uses a Meniscus lens and a Rotary shutter. It can be bought at . It got its name from the front panel with geometric pattern and American Boy Scout emblem. This is very proper for outdoor use.

Finally, vintage Kodak camera enthusiasts are curious in collecting the Brownie Bullet, as called in the United States. In Brazil, they call this model Camara Brownie Chiquita.

It has a solid body eyelevel rollfilm and was man-made in September 1957. Kodak stopped producing this singular model in 1964.

Its film size is 127 and the photograph size is 1 5/8 X 2.5. This is assuredly the proper size of the pictures taken by the vintage Kodak camera.

The Brownie Bullet uses a Dakon lens and a Rotary shutter. The price can be negotiated because it varies, depending on the state of the vintage camera. Some are displayed merely to promote vintage Kodak camera.

The superior version of the Brownie Bullet camera is that it is molded by the plastic body with white faceplate and white controls.

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